Thursday, December 4, 2008

51st GRAMMY AWARD NOMINEES-BEST REGGAE ALBUM

For recordings released during the Eligibility Year
October 1, 2007 through September 30, 2008



Best Reggae Album
(Vocal or Instrumental.)

* Jah Is Real
Burning Spear
[Burning Music Production]

* Let's Get Physical
Elephant Man
[VP Records/ Bad Boy]

* Vibes
Heavy D
[Stride/Universal]

* Repentance
Lee "Scratch" Perry
[Narnack Records]

* Intoxication
Shaggy
[VP Records]

* Amazing
Sly & Robbie
[Fontana International]

Saturday, October 25, 2008

RECESSION AND SMALL BUSINESS

For months I am hearing complaints after complaints, gripe after gripe about the RECESSION (the economy and the music business)

Every business encounters a slump at one time or another. Whenever this happens, small business owners find themselves hustling more so than ever to stay afloat. It then becomes hard to manage ones business when one has more time than money.

In some cases business owners might have to take on the tasks of employees whom they have laid off. They also have to compete against the other businesses who are struggling to stay afloat and try to dominate the market.

For the music business - I say one just have to get on ones grind and use marketing tactics - think outside the box.

Make sure your customers continue doing business with you during tough economic times. I came across some tips from Steve O'Leary and Kim Sheehan. Here they are:


1. Continue advertising. History shows that marketers who stop
advertising during a recession lose market share.

2. Focus on existing customers. You know your customers better than
anyone. You know what types of product mixes are most appropriate for
them. Use this information to create offers that are most valuable to
them.

3. Listen. Collect customer feedback. Use either formal (surveys) or
informal (asking people in store) feedback instruments to find out how
your customers are dealing with the recession and how your store could
help them. Ask them what types of specials they would like to see.

4. Focus on the neighborhood. With record high gas prices, people are
likely to drive less. Allocate some of your marketing budget to
current and potential customers who live close to your store (also
known as your retail trading area). Print media is great for this
effort, especially flyers and/or direct mail.

5. Value messages are critical. Think about the prices you can offer as
well as the discounts that might be available. Make both prices clear
in your messages.

6. POLITENESS COUNTS, more than ever. Greet customers when they enter
your store. Thank them when they leave.

7. Consider a loyalty program. If you don't have one in place, think
about a punch card-type loyalty program that is quick and easy to
implement.

8. Create benefit offers. Select specific products or services and
package them into a value offer that you can advertise in store and
through traditional channels.

9. Dial up the service. Make sure your employees understand the value of
exceptional customer service during this time when customers may be
looking for reasons to switch.

10. Think treats. Even though customers are cutting back, according to
Money Magazine, they plan to spend a small amount of their tax refund,
or rebate check, on a small treat for themselves. Think about what you
might offer your customers as a special, one-time discount on a treat
to get people in your store.

11. Partner with a local cause. During a recession, many of your customers
may cut back on philanthropic giving. Partnering with a charitable
cause reflects well on you, and can somewhat assuage your customer's
guilt about not donating more to charity.

12. Evaluate advertising messages and response. If you are promoting sales
and discounts in different vehicles (such as in the local newspaper,
or online), track your response from each vehicle.

REGGAE ENTRIES FOR THE 51st GRAMMY AWARDS

This year there are 36 submissions for the Best Reggae Album - Vocal or Instrumental. Nominations will be announced in early December. Results will be announced during the 51st Annual GRAMMY Awards Telecast on Sunday, February 8, 2009, from Staples Center in Los Angeles, on the CBS Television Network.

The following are the 36 submissions for the Reggae category:

1. Anthony B
LIVE ON THE BATTLEFIELD
2. Pato Banton
DESTINATION PARADISE
3. Burning Spear
JAH IS REAL
4. Busy Signal
LOADED
5. Anthony Cruz
FIGHT WITH ALL YOUR MIGHT
6. Cryout
RIGHTEOUS MEDICATION FOR
THE SOUL
7. Elephant Man
LET'S GET PHYSICAL
8. Etana
THE STRONG ONE
9. Gov't Mule
MIGHTY HIGH
10. Cas Haley
CAS HALEY
11. Beres Hammond
A MOMENT IN TIME
12. Heavy D
VIBES
13. I Wayne
BOOK OF LIFE
14. Isreal Vibration
STAMINA
15. Jahmusik
DREADS IN MY HEART
16. Jamelody
BE PREPARED
17. Kingman & Jonah Featuring
Claudius Linton
SIGN TIME

18. Luciano
JAH IS MY NAVIGATOR
19. Morgan Heritage
MISSION IN PROGRESS
20. Lee "Scratch" Perry
REPENTANCE
21. Lee "Scratch" Perry
SCRATCH CAME, SCRATCH SAW,
SCRATCH CONQUERED
22. Pressure
LOVE AND AFFECTION
23. Prince Fatty
SURVIVAL OF THE FATTEST
24. Richie Spice
GIDEON BOOT
25. Ed Robinson
THE AWAKENING
26. Rockamovya
ROCKAMOVYA
27. Rootz Underground
MOVEMENT
28. Shaggy
INTOXICATION

29. Sly & Robbie
AMAZING
30. Soja
SYR MAHBER
31. TIGER
TIGER UNLEASHED
32. Various Artists
BUJU BANTON PRESENTS:
JAMROCK CLASSICS VOL.
33. Various Artists
DROP IT RIDDIM
34. Various Artists
JOURNEY

35. Various Artists
THE ULTIMATE REGGAE
DANCEHALL X-PERIENCE 2008
36. Taj Weekes & Adowa
DEIDEM

Monday, October 13, 2008

DELAYS AT THE U.S. COPYRIGHT OFFICE

Processing time is currently taking longer than the eight to nine months from the time a complete submission is received in the Copyright Office.

Processing time to receive a completed certificate of registration is currently taking approximately 12 months from the time a complete submission is received in the Copyright Office and the record is opened in their database. The registration is effective, however, on the date of receipt of the submission. Once the process is completed, they will mail a certificate of registration. You do not need a copyright number or certificate in order to proceed with publication or other use of the material.

The U.S. Copyright office receive upwards of 10,000 pieces of mail a day -wow!

Kudos to the writers and musicians etc. they are getting smart and registering their work. So to all, do not get turned off due to the delay, keep doing the right thing and protect your work.

Thursday, October 9, 2008

REGGAE INDUSTRY IS ROCKED WITH THE LOSS OF ANOTHER GREAT ARTIST - ALTON ELLIS

My sincere condolences go out to the family and friends of the late great musical giant Alton Ellis who passed.  He truly, truly touched our hearts in the reggae world. I feel very honored to have known him and thoroughly enjoyed his company whenever he visited our studio while he was in NY.

Alton will be missed greatly but not forgotten.

Kindly visit Alton's myspace to offer your condolences -myspace.com/altonellisod 








Monday, September 29, 2008

RIHANNA IS NOW THE OFFICIAL NEW QUEEN OF R&B

Official, official ..... Caribbean Queen is now the official new queen of R&B. Soundscan, has announced that Rihanna's latest album Good Girl Gone Bad has passed Beyonce's B Day in terms of album sales.

Figures to date show Beyonce selling 5,992,540 copies of B Day. While Rihanna sold 6,057,280 copies of Good Girl Gone Bad!!!

Congrats to Riri.


Saturday, September 27, 2008

BASIC ELEMENTS FOR AN ARTIST TO KEEP CAREER GOING


Some basic elements an artist needs to keep her/his career going. If an artist does not have these, and she/he has talent the artist has a minimal chance of surviving as a performer.


a)  PROMOTION -  Even if an artist has talent she/he still has to CREATE A BUZZ. The audience has to know that you are out there, and that you have something to offer. You have to market yourself. Performing at clubs, community events, colleges are excellent ways for you to spread the word. If a few people hear and enjoy your music they will tell others and the word will spread (ain't nuttin like word-of-mouth).  Always remember gigs allow fans and potential fans to do the promoting for you.  The trick is getting people to your performances.


Think outside of the box, break away from the traditional methods: It is important to build an email list, create web pages, promote your shows and music, etc.


b)  MANAGEMENT:  I did not type damagement, remember Management. This person has to be TRUSTWORTHY and PASSIONATE about your work/music, as she/he is key to your success. She/he sets up your promotion. This person advises you on your career choices, makes your business decisions, helps with the preparation of your press kits and promotion tools and makes the calls to get you work. 


Do not try to manage your career on your own, you need that time to be creative. Look for a good (trustworthy/passionate) manager then you will have two people (you/management) looking out for your success.


c)  MONEY $$$$$$$$$$$$$$$:  You (ARTIST) need to manage your money WISELY and REALISTICALLY. Do not go spending on clothes, jewelry, clubbing, drinking and supporting your entourage. When the money is finished the clothes are out of fashion, jewelry same, clubbing and drinking you can no longer participate and the entourage will be nowhere in site.  They will be saying "hey fool, it was real, hi and bye, gotta go".


Remember signing to a label with a big advance makes an artist happy (too happy until reality strikes) This is only temporary.  As soon as this money is gone, the artist's cash flow has to come from other sources.  So you have to set up other ways and means of income streams.  I am not talking about getting your boyz to do illegal things in the hood/ghetto/streets ok.  I am talking BUSINESS.  You can record an album for under a couple thousand dollars at good local studio, that is competitive with albums recorded in professional studios which will cost tens of thousands of dollars.  You can sell the album for $10 each at your gigs, the entire amount is yours, if you sell a few hundred albums this way you have already broken even, and future sales means more money. Sell hats, t'shirts, posters, jackets, as well.  Add that income with the money from doing gigs, and you are good to go.


d)  CONTROL:  Every serious artist that I have come across want to have control of their music, recordings, money and careers.  Why not - I do not blame them. Won't you want the same. Well the major labels do not really allow this to happen, but times are changing.   Artists are learning the BUSINESS and RISING UP against the record labels, not allowing this unfair treatment to breed.  An artist is much better off controlling her/his own destiny, than handing it over to a large corporation who is struggling to survive in this music marketplace.  Artists in no way should not have to give up all their rights to get their music made or promoted.  Artist must remember that these record labels need them more than they the artist need them. (Ex. Aimee Mann, now calls the shots, Mann broke away from record labels - Epic, Geffen, Imago & Interscope, and has achieved new success.


e)  ACCESS TO FANS:   I used to live in the US Virgin Islands years ago.  While promoting a said show, I asked a reggae artist to comply with a radio out door promotion, so the fans can see/hear ..... His reply was "who need fans, I need air conditioners"  I thought how darn right rude. It was not a joke, he meant it.  At that time the artist was building his house in JA and came to the island to perform. Believe me, if it wasn't for the fans coming to his shows and buying his music, he would not have been able to obtain what he has because music is all he knows and the only means of legal support for him.  I am sure today he need fans.  Where is this artist today?


Getting to the point.... Access to fans:  Artists need access to their fans to become successful.  Who really is more important than the people who SUPPORT YOU and BUY YOUR MUSIC, CONCERT TICKETS, and MERCHANDISE? Fans on the whole are looking for closer relationships with the artists they love.  The popularity of artist fan clubs is growing just like in the 70's and 80's.  Many artists have added fan club membership on their sites, to give paying members access to more than an average fan.  These sites give fan members more than the average fan things like access concert ticket info. in their area, more music, special discounts, pictures etc.  When an artist can do more for their fans, they will create lasting relationships and loyalty.  Blogs, podcasts can also grow fan connections.


Sunday, September 7, 2008

ATTAIN THE ATTENTION OF A MAJOR LABEL OR D.I.Y

Everyday, I get asked how do I get signed, how do I become famous.  I go further,  I hear, I am a star, but yet I have never heard of them nor have I heard that individual have ever had a hit song.  Then it never fails, can you be my manager.  Ouch!


When, I decline the latter question - some may feel a way but the truth is I really do not have that time, my cup is filled.  If I did take on all or half of those people it would be total chaos.  Now, if I had the staff it would be  different. Besides when looking for a Manager etc., an artist needs to find one who is passionate about their music and what they are trying to accomplish.  (I will blog more later on this)


However, I will get to the point:


Again, artists believe that getting a label deal is the only way the can become successful.  Wake Up! This is not so, and more and more artists especially in the American culture are starting to figure that out. My Caribbean Artist WAKE UP! To attain the attention of a major label, you need to possess certain qualities: TALENT, PERSONALITY, DRIVE, ABILITY TO COMMUNICATE, A GREAT TOURING ITINERARY, A UNIQUE PERSPECTIVE, AND A STRONG DESIRE TO MAKE IT IN THE MUSIC.


Many artists (reggae artists I am speaking to you in particular) feel that they need to talk about themselves and music or go to studios and the Producers, Executive Producers or the A&R guys, will come and sweep them off of their feet.  It does not work like that.  Artists may feel that the qualities mention will also have these industry folks come and sweep them off of their feet, not realizing that they have already started their careers themselves.  Once artists get those key elements going, you are on your way.  I really do not understand why artists feel the need to give it all away to record companies after they have done all the hard work.


Read some A&R quotes for yourselves:

“I believe in the old adage that ‘real’ artists cannot be created by a record company, either you just ’have it’ or you don’t.”—Tara Griggs-Magee, Vice President, Verity Records


"Basically I listen to the songs looking for something compelling, hooky, lyrically touching, or universally appealing. Obviously having the raw talent to convey those special elements of the song is a MAJOR plus. The tremendous cost per artist of doing business these days has major labels looking to maximize their chance of success, which is why things are so “research” driven these days. An artist creating a story is much more likely to attract the serious attention of a major label in this climate, though true talent and apparent ‘hit’ songs still count for a lot.”—Leigh Lust, Director of A&R, Elektra Entertainment

“Nothing gets my attention faster than proven success. Many bands/artists show up with no experience at all. They are waiting for a record company to come along and make them famous. REAL artists/bands aren’t waiting on anyone. They’re out making noise. That’s what makes me take a second look.”—Dean Diehl, Reunion/Provident Music Group

“The one thing I always tell people when I’m asked or on panels, and it sounds flip, but it’s 1,000% true is: be amazing. If you are truly amazing, we will find you. There is no way U2, REM, Smashing Pumpkins, Josh Rouse, etc., etc. would not get signed. If you are doing something that stands out, you will get noticed—it doesn’t matter if you’re in NYC or in Bosnia. Once you’re noticed, what closes the deal for me is if you have a good infrastructure and if I’m not starting from scratch. It’s very hard to take a band from zero sales to 20k—50k. Ideally, the artist/band has a constituency and fan base and has maybe self-released a few records so they understand the business side a little. Basically, the more you bring to a label, the less the label can take from you.”—George Howard, A&R Manager, Rykodisc

QUOTES CAME FROM: Indiebiz.com, What Are A&R People Looking For? (Appendix 1), by David Hooper

Artists really don't need major record companies to become successful. If you read the quotes carefully you will see to get a label's attention, artists need to have already done a lot of the work. The position that I am in, I always hear the grumbles and the curse words - when record labels or distributors tell the artists that they have to do this and that and the artists get upset.  Well it does not work that way.  You as an artist(s) have to play your part and put your work in.  There are some who have already done exactly that and have not even realized. On a daily basis when you read or listen to the entertainment media you are told that the record industry is in turmoil right now, which means the distribution options are opening up, and the ground is shifting under your feet, you the artist(s) are far better off trying to find a way to DO IT YOURSELF. 

Songwriters, it is not much different for you either. You need to use the path to publishing.  I will blog on this soon.

by: Michelle Arthurton

Monday, August 25, 2008

Rhapsody Music Online by Michelle Arthurton

RIAA 2007 subscription trade revenue $103.3 million. That figure was $98.5 million in 2006. Rhapsody showing very little growth.

Good Ole Copyright Protection by Michelle Arthurton


Big news  

 

It is so funny how those who set the laws, think it is ok for them to break those same laws.

Mc Cain and his folks are using a Jackson Brown song in his campaign commercial without Brown's permission now Brown is suing for a million. Good for Brown to set a precedent.

Concert Prices in the UK by Michelle Arthurton


I came across some interesting reading from a British economist who claims concert prices have spiked due to the drop in actual music sales.  The industry is making up the lost income by raising prices on live shows.

Anyone thought about that.....

CD Baby by Michelle Arthurton

Big, big news l CD Baby was bought out by Discmakers.

IFPI 2008 Report - stats on digital downloads




The IFPI in the UK is what the RIAA is in the USA.

I found these numbers interesting and wanted to share them with you all.

    * Global digital music sales: 3 billion in 2007, an increase of 40% over 2006.  2003 income something like 200 million.
    * Digital Sales now account for 15% of the global music market (up from 11 in 2006, 0 in 2003).
    * Single track downloads: grew 53% - which is really interesting
    * 500 legitimate digital music services worldwide, offering four times the stock of music megastores. (so physical is still king in terms of sales but great strides for digital music in '07
    * 20 to 1 unlicensed tracks to legal downloads which is not surprising.

Illegal downloading in the UK by Michelle Arthurton


PART ONE

Big news in the United Kingdom.  The British government got 6 of the 7 ISP's in Britain to agree to work to stop the illegal downloading of music.

Hard core file sharers could see their broadband connections slowed down, under measures proposed by the British government.

The consultation document proposed that hard core file sharers could have technical measures imposed, such as "traffic management or filtering and marking of legitimate content to facilitate identification".

How will this work? (1) ISPs adopt a code of self regulation to prevent the government from doing it for them. (2) labels will continue with their education campaign to prop up the value of music.  (3) ISPs will send out thousands of letters every week to suspected infringers.  (4)  steps will be taken to deal with repeat infringers (the UK does not want to take after France's "3 strikes" proposal).  (5) customers will be pointed to legal alternatives, which could be a new generation of music service formed in partnerships between labels and ISPs.

ISPs have been fighting this for years.  Also worth noting is that conversations are ongoing between record labels and ISPs in the UK right now to legalize file sharing in some way.




PART TWO

Follow up to illegal downloading in the UK

    * It is being said that the British government are planning to introduce a tax for downloaders  30 GBP per year, to the folks who are illegally downloading music from the internet.


    * Some say that the tax is not really going to happen though, as one of the heads of the ISPs thinks this is an intrusion of privacy. But those who are using P2P will have their internet slowed down.


    * There are so many articles contradicting this subject.  I also read that letters have already started going out as of last week on this matter.


    * The BPI sent out a letter to the Business Minister that kind of undermines the whole thing: http://www.guardian.co.uk/media/2008/jul/31/digitalmedia.downloads?gusrc=rss&feed=media