THE NEW TOP 20 REGGAE ALBUMS/CD’s 10/7/10
TW LW WOC TITLE ARTIST LABEL
1 1 13 REGGAE GOLD 2010 (7) VARIOUS ARTISTS VP
2 2 10 Bobo Revolution Various Artists Greensleeves
3 3 5 Put The Stereo On Gappy Ranks Greensleeves
4 4 7 United States Of Africa Luciano VP
5 5 9 Ladies Night Sweet Tea Checkmate
6 6 6 Herbalist Chezidek Tad's\
7 9 4 R&B Hits Reggae Style Vol.4 Various Artists Joe Fraser/VP
8 8 11 Hold You Gyptian VP
9 7 12 The Best Of Ernie Smith Ernie Smith 17 North Parade
10 12 3 Reggae Evolution Richie Stevens Pot Of Gold
11 19 2 Before The Dawn Buju Banton Gargamel
12 11 14 I-Ternal Fire Capleton VP
13 10 14 The List List Vol.2 Various Artists Tad's
14 14 17 Romain Virgo Romain Virgo VP
15 15 3 Trodding Natty King Tad's
16 16 3 Bad Mind Riddim Various Artists Swallow Bird
17 13 13 Big Stage Riddim Various Artists Penthouse
18 17 13 D.O.B. Busy Signal VP
19 18 18 Distant Relatives Damian “Jr. Gong” Marley/Nas Universal/Def Jam
20 20 21 Hits After Hits 3 (3) Various Artists Joe Fraser/VP
NOTE:
Clinton Lindsay can be heard M-F 12:00 – 3:00pm @ http://thefoundationradionetwork.com, http://Eonair.com http://Reggae4us.com http://ReggaeSpin.com http://VibeOneRadio.com
The New York Top 30 Reggae Chart is compiled by Clinton Lindsay.
Data is collected from a combination of sale reports, listeners’ requests, and airplay.
Participants include, Tony Ryan’s Records, WVIP 93.5fm, VibeOneRadio104.5fm
The numbers in brackets indicate how long at the No.1 spot. TW/This Week, LW/Last Week, WOC/Weeks On Chart,
RE/Return, NFAP/Not Fit For Airplay, HPR/Highest Position Reached.
The New York Top 30 Reggae Chart is counted down by Clinton Lindsay on Fridays @ 2:00pm, on all mentioned networks including WATB 1420am and WGFS 1430am, Atlanta. Portions can be heard on the following stations: KISS 100fm w/David Rodigan, London, WHUR 96.3fm w/John Blake,Washington DC, KKUP 91.5fm w/Robert Rankin, San Francisco, WRFG 89.3fm w/Jason Walker, Atlanta, WHPK 88.5fm w/Microphone Bill, Chicago, WESU 88.1fm w/Donovan Longmore, Hartford, WZBC 90.3fm w/Robin, Boston, KXLU 89.9fm w/Junior Francis, Los Angeles. ALL RIGHTS RESERVED (2010)
Friday, October 8, 2010
THE NEW YORK TOP 30 REGGAE CHART 10/7/10
THE NEW YORK TOP 30 REGGAE CHART 10/7/10
TW LW WOCTITLE ARTIST LABEL HPR
1 2 14 WINE YU A WINE (1) DA'VILLE FASHOZY #1
2 3 14 Color Of Love Richie Stevens Penthouse #2
3 4 13 Thank You For Loving Me Stevie Face Penthouse #3
4 5 9 Our Heroes Ed Robinson E2 Recordings #4
5 6 10 Put The Stereo On Gappy Ranks Greensleeves #5
6 7 15 Hit The Road Jack Sweet Tea Checkmate #6
7 1 14 Sweet Jamaica (2) Tarrus Riley John John #1
8 10 13 We Shall Find A Way Hezron Tad's #8
9 11 9 Comfort Zone Busy Signal Penthouse #9
10 8 19 Free (2) Etana No Doubt #1
11 13 7 Blessed Eljai/Capleton Jah Mix Entertainment #11
12 15 6 I'm OK Beenie Man Seanizzle #12
13 9 15 If You Don't Know Me By Now George Nooks Total #2
14 16 7 My Life I-Octane DJ Frass #14
15 20 5 For Your Eyes Only Shaggy/Alaine K-Licious #15
16 12 17 Skip To Ma Lu Serani/Ding Dong Deseca/VP #3
17 19 6 My Heart Wayne Marshall/Mavado Yard Vybz #17
18 14 10 Gal A Mad Over Me Mavado Di Genius #14
19 22 3 Drinking Rum & Red Bull Future Fambo/Beenie Man Seanizzle #19
20 23 5 Moving On Luciano Maximum Sound #20
21 17 7 How We Do It Bounty Killer/Elephant Man CR203 #17
22 26 3 Keeping It Real Beres Hammond Heavy Beat #22
23 25 3 Honey Daryl Strodes/Delroy Clarke State Of Heat Studios #23
24 18 20 Feel Good All Over (3) Sanchez Penthouse #1
25 28 2 Times Like These Queen Ifrica 2 Hard Music #25
26 21 19 Bonifide Angel Maxi Priest No Doubt #2
27 29 2 Something's Gotta Give Assassin aka Agent Sasco 2 Hard Music #27
28 - 1 Innocent Buju Banton Gargamel #28
29 - 1 African Queen Sadiki Joe Fraser #29
30 27 15 Me Homeland Tarrus Riley Juke Boxx #8
NOTE:
Clinton Lindsay can be heard M-F 12:00 – 3:00pm @ http://thefoundationradionetwork.com, http://Eonair.com http://Reggae4us.com http://ReggaeSpin.com http://VibeOneRadio.com
The New York Top 30 Reggae Chart is compiled by Clinton Lindsay.
Data is collected from a combination of sale reports, listeners’ requests, and airplay.
Participants include, Tony Ryan’s Records, WVIP 93.5fm, VibeOneRadio104.5fm
The numbers in brackets indicate how long at the No.1 spot. TW/This Week, LW/Last Week, WOC/Weeks On Chart,
RE/Return, NFAP/Not Fit For Airplay, HPR/Highest Position Reached.
The New York Top 30 Reggae Chart is counted down by Clinton Lindsay on Fridays @ 2:00pm, on all mentioned networks including WATB 1420am and WGFS 1430am, Atlanta. Portions can be heard on the following stations: KISS 100fm w/David Rodigan, London, WHUR 96.3fm w/John Blake,Washington DC, KKUP 91.5fm w/Robert Rankin, San Francisco, WRFG 89.3fm w/Jason Walker, Atlanta, WHPK 88.5fm w/Microphone Bill, Chicago, WESU 88.1fm w/Donovan Longmore, Hartford, WZBC 90.3fm w/Robin, Boston, KXLU 89.9fm w/Junior Francis, Los Angeles. ALL RIGHTS RESERVED (2010)
TW LW WOCTITLE ARTIST LABEL HPR
1 2 14 WINE YU A WINE (1) DA'VILLE FASHOZY #1
2 3 14 Color Of Love Richie Stevens Penthouse #2
3 4 13 Thank You For Loving Me Stevie Face Penthouse #3
4 5 9 Our Heroes Ed Robinson E2 Recordings #4
5 6 10 Put The Stereo On Gappy Ranks Greensleeves #5
6 7 15 Hit The Road Jack Sweet Tea Checkmate #6
7 1 14 Sweet Jamaica (2) Tarrus Riley John John #1
8 10 13 We Shall Find A Way Hezron Tad's #8
9 11 9 Comfort Zone Busy Signal Penthouse #9
10 8 19 Free (2) Etana No Doubt #1
11 13 7 Blessed Eljai/Capleton Jah Mix Entertainment #11
12 15 6 I'm OK Beenie Man Seanizzle #12
13 9 15 If You Don't Know Me By Now George Nooks Total #2
14 16 7 My Life I-Octane DJ Frass #14
15 20 5 For Your Eyes Only Shaggy/Alaine K-Licious #15
16 12 17 Skip To Ma Lu Serani/Ding Dong Deseca/VP #3
17 19 6 My Heart Wayne Marshall/Mavado Yard Vybz #17
18 14 10 Gal A Mad Over Me Mavado Di Genius #14
19 22 3 Drinking Rum & Red Bull Future Fambo/Beenie Man Seanizzle #19
20 23 5 Moving On Luciano Maximum Sound #20
21 17 7 How We Do It Bounty Killer/Elephant Man CR203 #17
22 26 3 Keeping It Real Beres Hammond Heavy Beat #22
23 25 3 Honey Daryl Strodes/Delroy Clarke State Of Heat Studios #23
24 18 20 Feel Good All Over (3) Sanchez Penthouse #1
25 28 2 Times Like These Queen Ifrica 2 Hard Music #25
26 21 19 Bonifide Angel Maxi Priest No Doubt #2
27 29 2 Something's Gotta Give Assassin aka Agent Sasco 2 Hard Music #27
28 - 1 Innocent Buju Banton Gargamel #28
29 - 1 African Queen Sadiki Joe Fraser #29
30 27 15 Me Homeland Tarrus Riley Juke Boxx #8
NOTE:
Clinton Lindsay can be heard M-F 12:00 – 3:00pm @ http://thefoundationradionetwork.com, http://Eonair.com http://Reggae4us.com http://ReggaeSpin.com http://VibeOneRadio.com
The New York Top 30 Reggae Chart is compiled by Clinton Lindsay.
Data is collected from a combination of sale reports, listeners’ requests, and airplay.
Participants include, Tony Ryan’s Records, WVIP 93.5fm, VibeOneRadio104.5fm
The numbers in brackets indicate how long at the No.1 spot. TW/This Week, LW/Last Week, WOC/Weeks On Chart,
RE/Return, NFAP/Not Fit For Airplay, HPR/Highest Position Reached.
The New York Top 30 Reggae Chart is counted down by Clinton Lindsay on Fridays @ 2:00pm, on all mentioned networks including WATB 1420am and WGFS 1430am, Atlanta. Portions can be heard on the following stations: KISS 100fm w/David Rodigan, London, WHUR 96.3fm w/John Blake,Washington DC, KKUP 91.5fm w/Robert Rankin, San Francisco, WRFG 89.3fm w/Jason Walker, Atlanta, WHPK 88.5fm w/Microphone Bill, Chicago, WESU 88.1fm w/Donovan Longmore, Hartford, WZBC 90.3fm w/Robin, Boston, KXLU 89.9fm w/Junior Francis, Los Angeles. ALL RIGHTS RESERVED (2010)
SOUTH FLORIDA TOP 25 REGGAE SINGLES CHARTS 10/8/10
THE SOUTH FLORIDA TOP 25 REGGAE SINGLES 10/8/10
TW LW WOC TITLE ARTIST LABEL HPR
1 3 7 PUT THE STEREO ON (1) GAPPY RANKS GREENSLEEVES #1
2 6 13 Thank You For Loving Me Stevie Face Penthouse #2
3 1 14 Color Of Love (2) Richie Stevens Penthouse #1
4 4 16 Laughter In The Rain Manley Heavy Beat #4
5 5 13 We Shall Find A Way Hezron Tad's #5
6 9 10 Keeping It Real Beres Hammond Heavy beat #6
7 2 13 Sweet Jamaica Tarrus Riley John John #2
8 7 18 If You Don't Know Me By Now (2) George Nooks Total #1
9 11 10 Take Me In Your Arms O'Neil Peart Heavy Beat #9
10 10 14 A Beer And A Girl Marcia Griffiths Penthouse #4
11 12 7 My Life I-Octane DJ Frass #11
12 13 5 Free Etana No Doubt #12
13 15 6 Blessed Eljai/Capleton Jah Mix Entertainment #13
14 8 16 In My Cup Richie Loops Big Yard #3
15 17 4 I'm OK Beenie Man Seanizzle #15
16 21 3 For Your Eyes Only Shaggy/Alaine K-Licious #16
17 19 4 The Married People Song Lovindeer TSOJ #17
18 16 7 How We Do It Bounty Killer/Elephant Man CR203 #16
19 23 3 Moving On Luciano Maximum Sound #19
20 24 2 Innocent Buju Banton Gargamel #20
21 14 14 Cougar Nadine Sutherland SnoCone #6
22 18 19 Bonifide Angel (3) Maxi Priest No Doubt #1
23 - 1 African Queen Sadiki Joe Fraser #23
24 20 19 Feel Good All Over Sanchez Penthouse #2
26 22 15 Me Homeland Tarrus Riley Juke Boxx #10
NOTE:
The SOUTH FLORIDA TOP 25 REGGAE CHART is compiled by Clinton Lindsay.
Data is gathered from a combination of sale reports, listeners’ requests, and airplay.
Participants include VP Records, Rainbow Variety, and http://thefoundationradionetwork.com
The numbers in brackets indicate how long at the No.1 spot.
TW/This Week, LW/Last Week, WOC/Weeks On Chart, RE/Return,
NFAP/Not Fit For Airplay, HPR/Highest Position Reached.
THE SOUTH FLORIDA TOP 25 REGGAE CHART can be heard in portions on the following stations:
WIGO 1570am w/T-Rob, Atlanta, KISS 100fm w/David Rodigan, London,
WHUR 96.3fm w/John Blake,Washington DC,
KKUP 91.5fm w/Robert Rankin, San Francisco, WRFG 89.3fm w/Jason Walker, Atlanta,
WHPK 88.5fm w/Microphone Bill, Chicago, WESU 88.1fm w/Donovan Longmore, Hartford,
WZBC 90.3fm w/Robin, Boston, KXLU 89.9fm w/Junior Francis, Los Angeles
ALL RIGHTS RESERVED (2010)
TW LW WOC TITLE ARTIST LABEL HPR
1 3 7 PUT THE STEREO ON (1) GAPPY RANKS GREENSLEEVES #1
2 6 13 Thank You For Loving Me Stevie Face Penthouse #2
3 1 14 Color Of Love (2) Richie Stevens Penthouse #1
4 4 16 Laughter In The Rain Manley Heavy Beat #4
5 5 13 We Shall Find A Way Hezron Tad's #5
6 9 10 Keeping It Real Beres Hammond Heavy beat #6
7 2 13 Sweet Jamaica Tarrus Riley John John #2
8 7 18 If You Don't Know Me By Now (2) George Nooks Total #1
9 11 10 Take Me In Your Arms O'Neil Peart Heavy Beat #9
10 10 14 A Beer And A Girl Marcia Griffiths Penthouse #4
11 12 7 My Life I-Octane DJ Frass #11
12 13 5 Free Etana No Doubt #12
13 15 6 Blessed Eljai/Capleton Jah Mix Entertainment #13
14 8 16 In My Cup Richie Loops Big Yard #3
15 17 4 I'm OK Beenie Man Seanizzle #15
16 21 3 For Your Eyes Only Shaggy/Alaine K-Licious #16
17 19 4 The Married People Song Lovindeer TSOJ #17
18 16 7 How We Do It Bounty Killer/Elephant Man CR203 #16
19 23 3 Moving On Luciano Maximum Sound #19
20 24 2 Innocent Buju Banton Gargamel #20
21 14 14 Cougar Nadine Sutherland SnoCone #6
22 18 19 Bonifide Angel (3) Maxi Priest No Doubt #1
23 - 1 African Queen Sadiki Joe Fraser #23
24 20 19 Feel Good All Over Sanchez Penthouse #2
26 22 15 Me Homeland Tarrus Riley Juke Boxx #10
NOTE:
The SOUTH FLORIDA TOP 25 REGGAE CHART is compiled by Clinton Lindsay.
Data is gathered from a combination of sale reports, listeners’ requests, and airplay.
Participants include VP Records, Rainbow Variety, and http://thefoundationradionetwork.com
The numbers in brackets indicate how long at the No.1 spot.
TW/This Week, LW/Last Week, WOC/Weeks On Chart, RE/Return,
NFAP/Not Fit For Airplay, HPR/Highest Position Reached.
THE SOUTH FLORIDA TOP 25 REGGAE CHART can be heard in portions on the following stations:
WIGO 1570am w/T-Rob, Atlanta, KISS 100fm w/David Rodigan, London,
WHUR 96.3fm w/John Blake,Washington DC,
KKUP 91.5fm w/Robert Rankin, San Francisco, WRFG 89.3fm w/Jason Walker, Atlanta,
WHPK 88.5fm w/Microphone Bill, Chicago, WESU 88.1fm w/Donovan Longmore, Hartford,
WZBC 90.3fm w/Robin, Boston, KXLU 89.9fm w/Junior Francis, Los Angeles
ALL RIGHTS RESERVED (2010)
Thursday, October 7, 2010
DAVID ROWE STATED THAT IT WAS BUJU BANTON WHO APPROACHED THE INFORMANT ABOUT COCAINE

In his opening statements in the cocaine trial of Mark ‘Buju Banton’ Myrie, his attorney David Oscar Markus, said the only thing his client was guilty of was “talking too much”. As the case unfolded, the world heard how much “talk” it was as tapes were played of the reggae superstar loosely serving up his most confidential secrets to a man he had met on a flight from Madrid to Miami.
Tapes were played of Buju telling the informant that he smuggles diamonds from Africa to Europe and that while he funds cocaine deals, he doesn’t actually get involved.
Speculation has been rife that the informant, Richard Alexander, who Buju Banton met on that ill-fated flight, had been strategically placed next to the reggae artiste on the plane for the specific purpose of entrapping him.
However, attorney-at-law, David Rowe, who has been overseeing the case on behalf of several media houses in Jamaica, says there is no evidence to support that school of thought.
According to Rowe, the transcripts show that it was Buju who actually approached the informant about cocaine and not the other way around.
“The initial contact was made on a flight from Madrid to Miami … it was Buju who approached the informant. They are on the plane drinking red wine and Buju asks, ‘Do you know who I am? I am Buju Banton, the big reggae superstar.’ And after that the conversation went from his stardom to his ability to engage in the sale of cocaine. That’s what the tapes said.” Prof. Rowe told Sharon Gordon and Bro Carlyle last Thursday night on their programme. “Buju left his number on a napkin for the guy to keep in contact with him,” Prof Rowe added.
He added, “The informant is a Colombian … he does Colombians, he doesn’t normally do Jamaicans.”
However, since his job is that of informing on cocaine deals, when Buju told the informant his story, Johnson did his job, Professor Rowe pointed out.
When Rowe made this revelation on the programme, the listeners in the chat-room went berserk. They protested Buju’s innocence. He again infuriated the chat-room when he added, “The law in the US is extremely blind, it doesn’t really care that Buju Banton is a reggae superstar from Jamaica”.
Rowe defended himself by pointing out that in addition to the fact that doesn’t know Buju Banton and had nothing to gain, the transcripts have been made public and anybody can check them.
“Buju,” he emphasized, “ made some very damning statements out of his own mouth on the tape. And he has a song, Driver, in which he says it all.”
ChatyChaty
MUSICALLY SPEAKING
Reggae's living legend and survivor of The Wailers Fame consisting of Robert Nesta Marley O.M., Winston Hubert McIntosh, Neville O'Riley Livingston C.D. pka Bunny Wailer has on behalf of Tuff Gong Records Ltd and The Wailers, been involved in the process of reclaiming the copyrights and sound recordings in over 1300 Wailers Songs from 1962 to the present, intentionally to compile and represent a series of Luxury Collector’s Edition of Boxed Sets titled ‘The Wailers Legacy Series’.
Volume 1 of the Series which incorporates 117 Songs of The Wailers along with Musically Speaking Volume 1, 2 & 3 a professional history of The Wailers written and narrated by Bunny Wailer is currently in the market, compiled during and over the period from 1995 to its release in 2005.
This coincides with the 35 Years expiration period of copyrights that allows for artists since 2003 to reclaim ownership of their songs ahead of the 50 Year expiration of associated rights in sound recordings, when they go into Public Domain.
It also stands to clarify the failure of the Marley Estate in their attempt to reclaim and revert the rights of Bob Marley & The Adopted Wailers in the recent lawsuit filed in the New York Southern District Court against UMG which ruling is questionable by Bunny Wailer, the survivor of The Wailers as it concerns Work For Hire.
originalwailers@yahoo.com
Volume 1 of the Series which incorporates 117 Songs of The Wailers along with Musically Speaking Volume 1, 2 & 3 a professional history of The Wailers written and narrated by Bunny Wailer is currently in the market, compiled during and over the period from 1995 to its release in 2005.
This coincides with the 35 Years expiration period of copyrights that allows for artists since 2003 to reclaim ownership of their songs ahead of the 50 Year expiration of associated rights in sound recordings, when they go into Public Domain.
It also stands to clarify the failure of the Marley Estate in their attempt to reclaim and revert the rights of Bob Marley & The Adopted Wailers in the recent lawsuit filed in the New York Southern District Court against UMG which ruling is questionable by Bunny Wailer, the survivor of The Wailers as it concerns Work For Hire.
originalwailers@yahoo.com
HAPPY BIRTHDAY JUNIOR DEMUS 10/6/10

Conrad McNish a/k/a Junior Demus was born in St. Mary, Jamaica, West Indies. Junior Demus is known for his gruff, gravel-voiced chants and jokes that he can give at the drop of a hat. He is also known to draw an audience in.
Junior is a legend in his place of birth Jamaica, a fixture in Brooklyn, New York and its dancehall scene. He is also a very warm and friendly individual. One of his favorite quotes/jokes whenever he meets up with people "stress can kill you, you can't hold it in or it will give you cancer, let it out" then laughs and walk away.
"When Me Come" released in 1991 was Demus' first single. 1994, Luke Records released Demus' debut full-length album, Bad Fowl. Some of the tracks from this album are "Come Quick," "Son of a Gun," and "Hold Me Down." He has also recorded a number of other singles, including "One Master," "Good Over Evil," and the popular number "Cabin Stabbin," which he completed with Super Cat and the late Nicodemus. They also worked together on the album The Good, the Bad, the Ugly, and the Crazy for Sony Music in 1994.
Some of his other known songs are:
"Boy ah boy and man ah man"
"No man no rough no man no tough"
"Ruff neck chicken"
"Shot mek u riddle" (this was in the Dancehall Queen movie)
"Johnny Bop"
Demus has lent his talents on several dancehall and reggae compilation albums filled with hard hip-hop tunes by artists like the Frisco Kid, Wicka Man, Foxy Brown, Rob Symeonn, Sugar Minott, Sluggy Ranks, and many other artists.
Happy Birthday, Junior Demus.
THE WAILERS/TUFF GONG RECORDS LTD./COPYRIGHT REVERSION
This was to be posted weeks ago. Sorry for the lateness.
FOR IMMEDIATE RELEASE
THE WAILERS/TUFF GONG RECORDS LTD./COPYRIGHT REVERSION
The agreement that has been referred to and relied on by the U.S. District Court, Southern District of New York, No. 08-06143 that denied the return of copyrights to the Marley Family, and inferred that Robert Marley’s solo contract and The Wailers group contract with Island Records was ‘Work For Hire’ is in direct contravention with the facts and history of The Wailers. This information can be supported by the legion of published books and recorded interviews that have been done to date.
The Wailers, Robert Marley O.M., Winston McIntosh and Neville Livingston C.D. have since 1964 entered into a series of formal recording contracts as Recording Artists and Writers since that time and subsequently as solo Recording Artists since 1974, starting with
• Jamaica Recording & Publishing Company/Studio One,
• Wail ‘N’ Soul ‘M’ – the first independently owned label for The Wailers,
• Upsetters/Lee Perry a Joint Venture and
• Danny Simms/JAD where in this instance only Robert Marley & Peter Tosh signed on,
• Chris Blackwell/Island Records where the world knows the story of the group being given $4000 on ‘faith’ to go and record the Catch A Fire album.
• Tuff Gong Records Ltd & Tuff Gong Music - Solomonic/Tuff Gong Records Ltd where the group themselves owned and transferred their own recording and publishing interests
This judgment is coming forward in the general environment of 50 Years of Jamaica’s music industry where expiring copyrights are threatening some of the world’s major catalogs from such greats as Elvis Presley, The Beatles and certainly now The Wailers to revert to either the bands themselves and or Public Domain. This represents one of the greatest threats to the major record and publishing companies, their catalogs and dominance over the genre Reggae.
It is in this environment that this sudden revelation that Robert Marley in his solo career, contract and subsequent Estate with Island Records/Universal is suddenly being deemed a ‘Work For Hire Artist’, a clearly underhanded conspiracy, years in the making, to defraud not only Robert Marley but The Wailers collectively of their rights to the reversion of these copyrights and opens up a Pandora’s box of violations and breaches by Chris Blackwell/Island/Universal and their agents in this matter. This as the only caveat to the reversion of these rights is if the recorded work was done ‘Work For Hire’.
It is further interesting to note that in the 1992 lawsuit by Tuff Gong Records Ltd., challenging Tuff Gong International rights to trade outside of Tuff Gong Records Ltd. as owners of The Wailers Recordings and trading unchallenged in Jamaica and The Caribbean since 1973, without the negotiated interest of Neville Livingston C.D. and the Winston McIntosh Estate as co-owners, that a series of contractual agreements, reported in the various journalistic reports, during this period was done converting and transferring rights that involves The Wailers, bringing into breach attempts at settlement, that never in those negotiations indicated that The Wailers recordings and interests were transferred and converted to ‘Work For Hire’ during this time.
Solomonic/Tuff Gong Records Ltd. can clearly state that at no time in the history of The Wailers as a group or as solo artists with Island/Universal has ‘Work For Hire’ been associated with any business dealings. We have contacted our lawyers in Jamaica, USA and the UK to vigorously move forward with existing plans and negotiations to recover the copyrights of The Wailers, sue for various breaches of existing settlement agreements and for intentional interference with prospective economic advantage and to invoke the Berne Convention in the protection of all related rights in international territories outside of Jamaica.
Is Robert Nesta Marley and Bob Marley separate and apart or one and the same or does Robert Nesta Marley or his respected Estate own the trade name Bob Marley, if not who does?
FOR FURTHER INFORMATION CONTACT:
ORIGINALWAILERS@YAHOO.COM
876-934-5034
FOR IMMEDIATE RELEASE
THE WAILERS/TUFF GONG RECORDS LTD./COPYRIGHT REVERSION
The agreement that has been referred to and relied on by the U.S. District Court, Southern District of New York, No. 08-06143 that denied the return of copyrights to the Marley Family, and inferred that Robert Marley’s solo contract and The Wailers group contract with Island Records was ‘Work For Hire’ is in direct contravention with the facts and history of The Wailers. This information can be supported by the legion of published books and recorded interviews that have been done to date.
The Wailers, Robert Marley O.M., Winston McIntosh and Neville Livingston C.D. have since 1964 entered into a series of formal recording contracts as Recording Artists and Writers since that time and subsequently as solo Recording Artists since 1974, starting with
• Jamaica Recording & Publishing Company/Studio One,
• Wail ‘N’ Soul ‘M’ – the first independently owned label for The Wailers,
• Upsetters/Lee Perry a Joint Venture and
• Danny Simms/JAD where in this instance only Robert Marley & Peter Tosh signed on,
• Chris Blackwell/Island Records where the world knows the story of the group being given $4000 on ‘faith’ to go and record the Catch A Fire album.
• Tuff Gong Records Ltd & Tuff Gong Music - Solomonic/Tuff Gong Records Ltd where the group themselves owned and transferred their own recording and publishing interests
This judgment is coming forward in the general environment of 50 Years of Jamaica’s music industry where expiring copyrights are threatening some of the world’s major catalogs from such greats as Elvis Presley, The Beatles and certainly now The Wailers to revert to either the bands themselves and or Public Domain. This represents one of the greatest threats to the major record and publishing companies, their catalogs and dominance over the genre Reggae.
It is in this environment that this sudden revelation that Robert Marley in his solo career, contract and subsequent Estate with Island Records/Universal is suddenly being deemed a ‘Work For Hire Artist’, a clearly underhanded conspiracy, years in the making, to defraud not only Robert Marley but The Wailers collectively of their rights to the reversion of these copyrights and opens up a Pandora’s box of violations and breaches by Chris Blackwell/Island/Universal and their agents in this matter. This as the only caveat to the reversion of these rights is if the recorded work was done ‘Work For Hire’.
It is further interesting to note that in the 1992 lawsuit by Tuff Gong Records Ltd., challenging Tuff Gong International rights to trade outside of Tuff Gong Records Ltd. as owners of The Wailers Recordings and trading unchallenged in Jamaica and The Caribbean since 1973, without the negotiated interest of Neville Livingston C.D. and the Winston McIntosh Estate as co-owners, that a series of contractual agreements, reported in the various journalistic reports, during this period was done converting and transferring rights that involves The Wailers, bringing into breach attempts at settlement, that never in those negotiations indicated that The Wailers recordings and interests were transferred and converted to ‘Work For Hire’ during this time.
Solomonic/Tuff Gong Records Ltd. can clearly state that at no time in the history of The Wailers as a group or as solo artists with Island/Universal has ‘Work For Hire’ been associated with any business dealings. We have contacted our lawyers in Jamaica, USA and the UK to vigorously move forward with existing plans and negotiations to recover the copyrights of The Wailers, sue for various breaches of existing settlement agreements and for intentional interference with prospective economic advantage and to invoke the Berne Convention in the protection of all related rights in international territories outside of Jamaica.
Is Robert Nesta Marley and Bob Marley separate and apart or one and the same or does Robert Nesta Marley or his respected Estate own the trade name Bob Marley, if not who does?
FOR FURTHER INFORMATION CONTACT:
ORIGINALWAILERS@YAHOO.COM
876-934-5034
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